"Actor: Michael Mann|William L. Petersen|Kim Greist|Joan Allen"

• Manhunter | DVD | (01/10/2001) from £18.13   |  Saving you £1.86 (10.26%)   |  RRP £19.99

  Released to box-office indifference in 1986, Manhunter introduced Hannibal Lecter and established the rules of the modern race-to-find-the-serial-killer thriller five years before The Silence of the Lambs packed cinemas everywhere. This was Michael Mann's third feature, reuniting William L Petersen and Dennis Farina from his debut Thief (1981) as FBI agents hunting the killer dubbed "The Tooth Fairy". Petersen's Will Graham is the man who put "Lecktor" (as it is spelt here) behind bars, and, as in Silence of the Lambs, he is forced to consult the Doctor, played here with understated malevolence by Brian Cox. Manhunter is an exceptionally well-photographed film: Mann's regular cinematographer Dante Spinotti creates sparse, elegantly framed, often monochromatically lit compositions essential to the shifting psychological moods. The performances are very good, and the typically 1980s, Vangelis-esque electronic score effectively sustains tension. Once the killer is introduced the scenes with Joan Allen have a genuinely unsettling, almost surreal quality, although there is at least one serious plot flaw--how does "The Red Dragon" get his letter to Lecter? Manhunter never packs the sheer excitement of Silence of the Lambs, nevertheless, it is a powerful and compelling thriller that remains far superior to the Anthony Hopkins-starring Hannibal (2001) and Red Dragon (2002). On the DVD: Manhunter on disc has a revealing 10-minute conversation with Dante Spinotti in which he explains how he created the film's distinctive look. Also included is a more general 17-minute making-of documentary. The anamorphically enhanced 2.35:1 image is generally very good, being just a little soft in one or two early scenes. The sound is listed as Dolby Digital 5.1, but appears to replicate the main stereo signal in the rear channels. Audio is nonetheless powerful and clear, though lacks the sheer edge and atmospherics of some more recent thrillers. --Gary S Dalkin